From Non-Extractive to Re-generative Architectures

Date
2021
Location
Venice
Event
La Biennale di Venezia
Keywords
Architecture
Environment
Sustainability
Symbiosis
Wellbeing Culture Forum
Urban planning
With
Hans Ulrich Obrist
Christian Held
Kennedy Yanko
Sumayya Vally
Markus Pape
Luise von Racknitz
Ute Kriedler
Tino Sehgal
Es Devlin
Jeanne de Kroon
Jakob Kudsk Steensen
Claudia Paetzold
Patricia Espinosa Cantellano
Hoda El Shawadfy
Dorothea von Hantelmann
Simon Schäfer Stradowsky
Florian Hertweck
Koo Jeong A
Tatiana Bilbao
Simon de Pury
Youssef Nassef
Sigrid Krauss
Joel Dietz

Non-Extractive Architecture is a manifesto and project conceived by design research studio Space Caviar and architect and curator Joseph Grima that calls for major social and operational reform of the architecture sector to design buildings that avoid exploiting humans, non-human species, and the planet. It seeks to address how we can re-design the chain of processes commonplace in architecture, to switch from extractive practices towards renewable ones.

“Zero-carbon buildings aren’t going to be much help, even if they’re made out of carbon-capturing cross-laminated timber if their production is dependent on massive monocultural reforestation that depletes ecosystems or displaces communities and then needs to be hauled across continents by trucks that require massive infrastructural projects to make transportation cheap.”

– Joseph Grima

Non-extractive architecture as a working methodology holds meaningful implications and potential. However, its label presents a complication: what could it mean to introduce an architecture that is not only non-extractive or neutral, but that is also re-generative? Often times the inactivity of neutrality simply contributes to the failures of the system more than it can resist them. Moving beyond this neutrality, how can we develop solutions that also generate abundance sustainably? Nature’s most aspirational quality is its growth. As cities expand, it is crucial that this growth works in collaboration with the surrounding natural environment.

Therme Art’s Wellbeing Culture Forum was conceived to catalyse knowledge production and action towards an enhanced vision of the city and its cultural activity in symbiosis with the natural world. The programme is greatly inspired by the recent work of the scientist and botanist Stefano Mancuso and the previous work by scientists James Lovelock and Lynn Margulis that introduced the Gaia Hypothesis in the 1970s, which posited the Earth as a living, breathing organism that thrives from interspecies cooperation. This “growing” is exactly what Therme’s recently launched Wellbeing City initiative with international afforestation organisation SUGi hopes to amplify in architectural discourse.

Sprouting from the Wellbeing Culture Forum, Therme’s Wellbeing City urban redesign project is founded on an understanding of the city as a living organism in active exchange with its environment. It envisions to develop an urban city plan that invites all levels of the population to evolve with the common understanding of self-care and social responsibility, understanding sustainability as a life commitment. In the wake of the pandemic, at a time in history when new, creative ways of interspecies cohabitation are desperately needed, this talk will elaborate on potential applications of non-extractive and re-generative architectures in the Wellbeing City and the world at large, analysing pre-existing policy and infrastructural frameworks, while also developing new ones.

A tree takes from the roots but is not considered to be extractive because it gives back to the soil. Extraction is not inherently negative when it is coupled with reciprocity. The current architectural codes as they stand now do not encourage this symbiosis, which is why reform is now crucial to our collective progress. In thinking about scientist and botanist Stefano Mancuso and his installation Mutual Aid, which explores the social implications of plant communication, how could urban planning evolve if we were to read nature like a book, learning from the reflexive systems of root networks and applying them to urban space?

The intersections between non-extractive and re-generative architectures are manifold. Both methodologies cannot function ethically or productively without the other. Bringing together experts from the fields of architecture, activism, art and design, and science, the talk From Non-Extractive to Re-generative Architectures held on 22 May aimed to articulate this interdependency and locate its practical applications within the future of urban life.

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1. How can we move from a culture of scarcity to a culture of abundance?

2. In what ways do non-extractivism and re-generation depend on each other?

3. How can we apply the underground networks between plants to cultural and social infrastructures above ground?

4. What next steps would be needed to motivate relevant stakeholders to step into this next dimension of architectural reform?

5. How can we instigate a culture of social and environmental reparations?

6. How can forest agriculture transform the organisation and quality of food within our cities?

7. How can we develop a city with resources that are simultaneously being consumed and re-generated?

8. What will it take to move away from a human-centric perspective of reality to one that is inclusive and non-hierarchal?

Hans Ulrich Obrist

Swiss art curator, critic, and art historian; Artistic Director at the Serpentine Galleries, London

Christian Held

Kennedy Yanko

American sculptor, painter, and installation artist

Sumayya Vally

Sumayya Vally is a South African architect and the founder and principal of the architecture and research firm, Counterspace. She is known for her work that explores hybrid identities and contested territories, and she became the youngest architect to design the Serpentine Pavilion in 2020/2021. She is also the Artistic Director of the inaugural Islamic Arts Biennale.

Markus Pape

Chef of Meisenheimer Hof

Luise von Racknitz

Steward of the Disibodenberg monastery site, preserving and sharing the historical landscape associated with Hildegard von Bingen

Ute Kriedler

Tino Sehgal

Tino Sehgal is a Berlin-based artist whose work explores the immaterial, staging live “constructed situations” that engage visitors through movement, dialogue, and interaction rather than material objects. Trained in political economy and choreography, Sehgal’s works, such as Kiss (2002) and This Situation (2007), invite active participation and reflection on social and philosophical themes. Sehgal has presented at major institutions worldwide, including the Tate Modern, Guggenheim, and Stedelijk Museum, and represented Germany at the Venice Biennale in 2005. In 2013 he was awarded the Golden Lion for Best Artist at the Biennale.

Es Devlin

Artist and stage designer

Jeanne de Kroon

Creative Director and Founder of Zazi Vintage

Jakob Kudsk Steensen

Artist working with environmental storytelling through video games, VR, sound installations and immersive environments

Claudia Paetzold

Curator

Patricia Espinosa Cantellano

Mexican diplomat and former Executive Secretary of the United Nations Framework Convention on Climate Change (UNFCCC)

Hoda El Shawadfy

Assistant to the Minister for Ecotourism Affairs at the Egyptian Ministry of Environment

Dorothea von Hantelmann

Theorist, scholar, writer and curator

Simon Schäfer Stradowsky

Florian Hertweck

Architect and head of the master's programme in Architecture at the University of Luxembourg

Koo Jeong A

South-Korean born mixed-media and installation artist

Tatiana Bilbao

Simon de Pury

Simon de Pury is a Swiss auctioneer, art dealer, curator, collector, and photographer

Youssef Nassef

Sigrid Krauss

Joel Dietz

Game designer, artist and entrepreneur

Photographs

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